790 Free Images of Color Lithograph On Paper

hand-colored lithograph on paper the aboriginal portfolio lithographs in the smithsonian american art museum smithsonian american art museum james otto lewis national gallery of art lithographs in the national gallery of art (washington, d.c.)hand-colored lithograph on wove paper expressionism,symbolism collections of mu.zee

Plyctophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

Plyctolophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

Plyctolophus Rosaceus / Salmon-crested Cockatoo 4/5 Nat. size (Plate 2), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

Application of Charles Henry's Chromatic Circle; Théâtre-Libre playbill of January 31, 1889, Paul Signac

application of charles henry's chromatic circle by paul signac pointillism

Book Illustration, A Floral Fantasy in an Old English Garden, A Knight as a Scotch Thistle, 1899

lithographs in the cooper–hewitt, smithsonian design museum symbolism

The tutu, (commonly called toot) in flower., Martha King, 1842

art in the national library of new zealand martha king

Book Illustration, A Floral Fantasy in an Old English Garden, A Knight as a Scotch Thistle, 1899

lithographs in the cooper–hewitt, smithsonian design museum symbolism

His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board, Louis Haghe, circa 1840

lithograph prints in the yale center for british art louis haghe

Poster, La Dame aux Camelias, 1896

prints of france in the cooper–hewitt, smithsonian design museum art nouveau,symbolism

Prospect from Grytten, Romsdalen, Johan F. L. Dreier, 1826

lithographs after johan f. l. dreier historical images of rauma, norway

The Hearth (L'atre), Édouard Vuillard, 1899

lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis

Market Place, Wisbech Isle of Ely, Cambridgeshire..., June 28, 1838, George Johann Scharf

lithograph prints in the yale center for british art george johann scharf

Rots aan het water, Léon Spilliaert, 1919

expressionism,symbolism collections of mu.zee

Calothorax heliodori, John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and henry constantine richter

The Bathers (Small Plate), Paul Cézanne, 1897

lithographs in the national gallery of art (washington, d.c.)post-impressionism

Le Grappin; L'Affranchie, 1892

lithographs in the national gallery of art (washington, d.c.)les nabis

Lesbia Amaryllis, John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and henry constantine richter

Lampornis prevosti, John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and henry constantine richter

Caprimulgus Ruficollis, Henry Constantine Richter

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and henry constantine richter

The Bathers (Small Plate), Paul Cézanne, 1897

lithographs in the national gallery of art (washington, d.c.)post-impressionism

A Chippeway Woman and Child, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Hydrochelidon nigra, John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and henry constantine richter

Toddy Glass, Minetta Good, 1935/1942

index of american design, national gallery of art (washington, d.c.)minetta good

A Celebrated Ottowa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Ki-On-Twog-Ky, or Cornplanter, Bass Otis, 1837

lithographs in the national gallery of art (washington, d.c.)bass otis

A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE SON; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Young Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

The Bakery (La patiserie), Édouard Vuillard, 1899

lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis

A Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Heimkehr (Homecoming), 1897

lithographs in the national gallery of art (washington, d.c.)leopold von kalckreuth

Russian Dancers, Ernst Ludwig Kirchner, 1909

lithographs in the national gallery of art (washington, d.c.)expressionism,expressionism

Capitol at Washington, Nathaniel Currier, circa 1850

lithographs in the national gallery of art (washington, d.c.)lithographs of washington, d.c.

Great Black Woodpecker (Dryocopus martius), John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and henry constantine richter

The eve of Saint Nicholas. Clogs in front of the hearth, Léon Spilliaert, 1918

expressionism,symbolism collections of mu.zee

The Cook (La cuisiniere), Édouard Vuillard, 1899

lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis

Presidents of the United States, Nathaniel Currier, circa 1844

american prints in the brooklyn museum nathaniel currier

Qual (Torment), Walter Gramatté, 1920/1921

prints in the national gallery of art (washington, d.c.)expressionism,magic realism

Park, Paul Klee, 1920

expressionism,surrealism,pointillism,bauhaus,color field prints in the national gallery of art (washington, d.c.)

The pleasures of the slide, Léon Spilliaert, 1918

expressionism,symbolism collections of mu.zee

View of the Great Treaty Held at Prairie Du Chien, September 1825, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

The Birth of Annette, Édouard Vuillard, circa 1899

post-impressionism,japonisme,les nabis vuillard (roger-marx 44)

TA-MA-KAKE-TOKE or the Woman that Spoke First; A Chippeway Woman (mourning), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

The Whale Fishery, "Laying On", Nathaniel Currier, circa 1852

american prints in the brooklyn museum nathaniel currier

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Lombard, North Point and Greenwich Docks, San Francisco Bay ., Hugo Wilhelm Arthur Nahl, 1857

realist landscape paintings hugo wilhelm arthur nahl

Winter Pastime, after F.F. Palmer, Nathaniel Currier, circa 1855

american prints in the brooklyn museum nathaniel currier

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Interior with Hanging Lamp (Interieur a la suspension), Édouard Vuillard, 1899

lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

To the Washington Light Infantry of Washington City, Alfred Hoffy, 1839

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

Les Serres Chaudes, Léon Spilliaert, 1918 / May 1918

expressionism,symbolism collections of mu.zee

Les Serres Chaudes, Léon Spilliaert, 1918 / May 1918

expressionism,symbolism collections of mu.zee

Les Serres Chaudes, Léon Spilliaert, 1918 / May 1918

expressionism,symbolism collections of mu.zee

Les Serres Chaudes, Léon Spilliaert, 1918 / May 1918

expressionism,symbolism collections of mu.zee

Les Serres Chaudes, Léon Spilliaert, 1918 / May 1918

expressionism,symbolism collections of mu.zee

Les Serres Chaudes, Léon Spilliaert, 1918 / May 1918

expressionism,symbolism collections of mu.zee

Les Serres Chaudes, Léon Spilliaert, 1918 / May 1918

expressionism,symbolism collections of mu.zee

Les Serres Chaudes, Léon Spilliaert, 1918 / May 1918

expressionism,symbolism collections of mu.zee

Les Serres Chaudes, Léon Spilliaert, 1918 / May 1918

expressionism,symbolism collections of mu.zee

Les Serres Chaudes, Léon Spilliaert, 1918 / May 1918

expressionism,symbolism collections of mu.zee

La Promenade, Henri-Edmond Cross, 1897

lithographs in the national gallery of art (washington, d.c.)pointillism,neo-impressionism

No-Way-Ke-Sug-Ga, Otoe, Alfred Hoffy, 1842

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

The Birth of Annette, Édouard Vuillard, circa 1899

post-impressionism,japonisme,les nabis vuillard (roger-marx 44)

Debauchery (Débauche), Henri de Toulouse-Lautrec, 1896

lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism

At the Moulin Rouge: La Goulue and Her Sister, Edward Ancourt, 1892

au moulin rouge, la goulue et sa soeur edward ancourt

NPG 99 167 42 Tshusick, Alfred Hoffy, 1838

smithsonian american women's history initiative national portrait gallery (united states)

Funeral pyre of Balder, Louis Moe

educational wall pictures from au library, campus emdrup (dpb)death of baldr

Funeral pyre of Balder, Louis Moe

educational wall pictures from au library, campus emdrup (dpb)death of baldr

Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra), John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

Free Theater: Smoke, then Flame, Louis Abel-Truchet, 24 October 1895

french lithographs in the national gallery of art (washington, d.c.)belle époque

Modern Printmaking: Before the Ballet, Charles Paul Renouard, 1898

lithographs of france in the cleveland museum of art paul renouard

At the Square, Henri Evenepoel, 1897

lithographs in the national gallery of art (washington, d.c.)fauvism

Print, Design for a Calendar (Ja, 1911, Theo van Hoytema

prints in the cooper–hewitt, smithsonian design museum 1911 works

Print, Design for a Calendar (Au, 1911, Theo van Hoytema

prints in the cooper–hewitt, smithsonian design museum 1911 calendars

Print, Design for a Calendar (February), 1911, Theo van Hoytema

prints in the cooper–hewitt, smithsonian design museum 1911 works

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

RICHARDVILLE; The Head Chief of the Miami Tribe of the Indians, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Keokuk, Chief of the Sacs and Foxes, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Yellow House, Lannion, James McNeill Whistler, 1893

prints by james mcneill whistler in the national gallery of art (washington, d.c.)aestheticism

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

101 - 200 of 790 Next page

/ 8